All sound repetition comes to a forte in the third line in which the words “of” and “load” are both repeated as well as the “o” sound, also present in “on” of the same line. Sometimes a rhyme occurs at every other line, sometimes at every fourth line, and sometimes in consecutive lines. The exhaustion in “drowsing off” is underscored by the long vowel sounds present in the phrase. Interesting to me is the fact that Frost, when he reads at least, prefers to emphasize the iambic lines. The return to a soothing tone is furthered by the reoccurring ‘m’ sound in this line in “form”, “my”, and “dreaming”, which has a satisfying association with contentment and peacefulness. The last four lines of this section again roughly follow the pattern of iambic pentameter, the first beginning the transition from the “magnified” imagery detailed in the preceding variant lines to the image of color which then becomes “dear” to the speaker, moving away from distressing images of nature to color schemes which are pleasant to behold. The word “sleep” is repeated throughout these last lines, twice in the second line, once in the fifth, and at the end of the sixth, the end of the poem. Apples I didn't pick upon some bough. Some others, Notice too how Frost divides the central portion of the poem into three of our five (, Frost asks whether his sleep will be like that of the woodchuck’s. Some critics throw all their weight into these last 5 lines. The larborer "is done with apple-picking now," even though he still has more apples to pick. The rhymes are complete. We have an Italian Quatrain followed by a concluding couplet. Analysis Of After Apple-Picking - Rhyme Scheme. He has been firmly rejected by any and all publishers. The beginning of this step back towards pentameter begins with a line ending in “overtired”, suggesting the beginning of a sleeplike quality. For a moment, both the poem’s rhetorical course and the rhyme scheme meet. It’s only in the weightless center of the poem where any sort of identifiable scheme more or less breaks down. In contrast, in these last lines the repetition of words link subsequent lines together, still alluding to a sense of repeating torment the speaker is experiencing, although of a physical nature that is slightly less troublesome than the previous mental torment, which was signaled by more intense repetition. And here is Conder’s entire essay much simplified: I also resist the temptation to draw comparisons between apple-picking and the apple in the Garden of Eden. The point here is that part of what makes this poem so powerful are the concrete images and the evocation of our senses. Death is certain like the rhyme scheme, but it is different for each person and it is not always earth shattering. The first line is the longest line at twelve syllables, and shows enjambment, continuing without pause into the next line of five syllables with an end-pause. As if remembering the course of his poem after an aside (a wonderful and colloquial technique that appears in many of his poems – Birches) he seems to gather his resolve with three rhyming lines, short and quick. It was published in 1914, as the first entry in Frost’s second book of poems, North of Boston.The poem is set in rural New England, where Frost lived at the time—and takes its impetus from the rhythms and rituals of … Hartman was essentially (in my opinion) trying to turn every line break into a prosody of free verse. ABBA CCDED FGFG. eNotes critical analyses help you gain a deeper understanding of After Apple-Picking so you can excel on your essay or test. 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